URBANBREAK 2022

GANGNAM GU, SEOUL, SOUTH KOREA

JULY 2022

Rom Levy, director of StreetArtNews, co-planned the Special Exhibition of International Street Artists. Entitled Street Chronicles, the exhibition is showcasing the works of artists who were the pillars of street art techniques, concepts and different styles.

Street art was considered vandalism when protesters during wars and political corruptions used the walls of their cities to comment on political and social issues with slogans and graffitis. What was initially regarded as vandalism has since become a significant art form. Murals and other forms of street art are renowned for their beautification of cities, raising awareness, and standing as witnesses to history.

STREET CHRONICLES retraces a side of Urban Art history bringing the streets of NYC and London to Seoul.

This proposal includes Banksy, whose identity remains anonymous to the day. His politically charged works provoke alternative viewpoints, encouraging revolution in the art world, making him one of the most controversial street artists. Banksy’s work has been breaking down the boundaries and expectations of street art critics, using many different street art mediums and styles. Banksy began his graffiti practice inspired by Blek Le Rat, one of the most prominent artists in Street Art. Inspired by what he saw in New York during his visit in 1971, Blek Le Rat started creating artworks across the streets of Paris in 1981. He primarily used stencils in his practice. His first stencils were black rats running along the walls throughout Paris. In 1983 he began to paint life-sized stencils, which became his trademark alongside his rats and have influenced generations of street artists worldwide.

Street Chronicles exhibited works of Roby Dwi Antono, Banksy, DALeast, D*Face, Shepard Fairey, Andrew Hem, Invader, Kai, Leon Keer, Suanjaya Kencut, Lonac, PichiAvo, Roa, Ryol, Ruben Sanchez, Okuda San Miguel, Andre Saraiva, Andrew Schoultz, Hua Tunan, and Martin Whatson.